15 Jan 2022 11:50 am
Nick Searcy on his movie "Capital Punishment":Pengwin » 15 Jan 2022, 12:26 pm » wrote: ↑ Thought the same of - Ashli Babbitt.
We all take pleasure in certain people dying when breaking the la=15pxw.
"Searcy is unsparing in his treatment of these questionable activities leading up to and on Jan. 6, 2021, and the prosecutions of people who were either invited into the Capitol or who stepped over an imaginary line where a fence delineating a no-go zone had been taken down by early provocateurs such as Ray Epps. You’ll hear of the FBI raids at their homes, the handcuffing of their children, and the inside story of the life of Ashli Babbitt from her husband, Aaron.
He is outraged about the Trump supporter’s shooting inside the Capitol. He wants answers to his questions about why Lt. Michael Byrd “just shot her” without warning. “If he was going to stop people from coming in,” he asked me, “then why didn’t he train his gun on the people who were breaking windows right in front of him? There was no evidence that she had a weapon, there was no reason to think she was a threat. … Those windows had been broken out and he could have said something at that point [as a warning] ‘if you come through that window I’ll shoot.'”
And who was in front of him breaking the windows? John Sullivan, another Antifa/BLM provocateur who stood next to Babbitt, urging her and others to go through the broken windows and into another part of the Capitol. He recorded and live-streamed her killing. Searcy believes organizers “wanted a bigger massacre.”
“That’s the real cynical view of that killing, is they wanted more people dead,” he said.
Lives lost. Lives ruined. A president’s legacy muddied. And a government arrayed against them. Searcy tells it all.
He says the question isn’t whether you believe that he convincingly lays out the case; it’s how you could believe the FBI, Justice Department, and political actors are incapable of pulling off such a caper. He points to the Russian “collusion” hoax and other incidents in his movie as exemplars of such gaslighting and perfidy by the feds.
Searcy’s film was released in November, and one wonders how such a quality product was conceived and produced in under a year.
The first anniversary of Jan. 6 passed in ignominy, complete with stage-crafted Washington outrage, but don’t forget the real story.